Tag Archives: THE AMERICAN BLACKSTORY 2024

NYC DAY 4 (cont’d) – Breakfast Served with Joe

Most people who interact with Louis Mendes fall into two categories: the perfect strangers who become totally enamored with him and the long-time locals thrilled to finally spot him. Every now and then, they fall into both and realize who he is mid-conversation.

But one particular exchange at Jimbo’s Hamburger Palace caught me WILDLY off-guard, right in front of my grits and bacon.

While Louis and I chatted over the merits of chocolate cake for breakfast—he’d flatly refused toast or a biscuit in favor of cake at 9am—another older gentleman quietly entered.

A black cane supported his long arms and broad shoulders that hinted at a once imposing physique. He’d been staring at us since he walked in, and sank himself into a chair at the opposite table.

“Legendary cameraman.”

He spoke so softly and deliberately that Louis thought he said “legendary camera, man.”

“How old are you?” Louis asked.

“73.”

“Oh, it’s younger than you.”

“I know. I remember that camera.”

“You know who I am?”

“Yeah, I know who you are. You used to shoot me & my boys ballin’ down at Rucker Park.”

A man (unintentionally?) eavesdropping from the diner countertop spun on his stool quick and exclaimed, “Man, I KNEW you were Joe Hammond!”

Joe “The Destroyer” Hammond, who once put up 50 points in a half against Dr. J, is widely considered one of the greatest street basketball players of all time. This year, he’ll be inducted into the New York Basketball Hall of Fame alongside Carmelo Anthony. That morning, he watched me shove eggs in my mouth. 🥴

In his soft-spoken but thick and charismatic New York accent, Joe regaled me with a few Harlem streetball stories, some tinged with regret, but all so proudly recounted. And I listened so intently, I barely remember him walking out the door.

I turned in my chair, hoping to catch one last glimpse of a New York great and spotted him just under the restaurant’s awning, waiting out the rain. Joe lingered there just long enough for me to snap a single photograph—something Louis constantly pesters me to do—before Harlem took him back.

It might be one of my favorite portraits I’ve ever taken. 🖤

NYC, DAY 1 – January 30

Already doing the most before I’ve landed in the City.

A work leadership program kicked off in NYC on the same day I was scheduled to pitch a new client.

I could have thought, “That’s plenty. I’m good.”

But a week before, @thevaleriejune stole my heart live in Austin before mentioning she’d be in New York the following week. WELL, OK GIRL, ME TOO!

When she revealed her venue as the Cafe Carlyle, a tiny hotel cabaret that had once hosted David Bowie, Eartha Kitt, Judy Collins and so many more, I couldn’t even pretend I wasn’t trying to go.

OF COURSE the only tickets available were on the night of my arrival, the night before the pitch and the leadership launch.

And OF COURSE I BOUGHT ONE ANYWAY.

So we came into NYC HOT, changed in the JFK bathroom, and headed straight to the Cafe Carlyle, luggage and all.

And man, did the city rise to meet me.

I’d stressed over how late I was arriving. I was the first person at the bar with my pick of stage view seating in a room capacity of 90.

I’d worried I’d sit there falling asleep after a long travel day, or worse, small-talking with a stranger. Instead, two separate and vibrant Black women sat down next to me, and became my new friends.

And when the show started, Valerie June appeared in a doorway all of 5 feet away from us, singing a capella, playing a tambourine, and channeling every bit of her southern Black roots.

Time stood still until without any warning, she whisked all her sequins out the venue’s main door, leaving her audience pinned to their seats and still pending checks.

Valerie June reads her poem “A Fairy Tale” live at the Café Carlyle

Both times I’ve seen Valerie June now, it’s felt like those dreams you wake up from and try desperately to fall back asleep into. It’s so good, then it’s just… over.

My new friends and I tried to hold onto the night as long as we could, chatting with GRAMMY-nominated Little Richard documentarian and VJ’s friend @misscortes and slow-sipping our (outstanding) cocktails before retreating to our respective beds.

Besides, between client presentations and @theamericanblackstory, I had work to do.

Luckily for me, NYC is full of dreams and mine with Valerie June wasn’t done quite yet…

Big Apple Butterflies

So, it’s February 5 and y’all got crickets from me?

It’s because I’ve been full of butterflies.

2024’s Black History Month theme is “African-Americans and the Arts.” And most years, I write the history, but this time, despite my best-laid plans, the ancestors decided that this Black creative would be living it instead.

Chills fr.

I traveled to New York for work last week, and went fully intending to launch on 2/1. Abandoning that plan to accept my ancestors’ gift was the greatest decision I could have made.

I traveled to New York for work last week, fully intending to launch on 2/1. Abandoning that plan to accept my ancestors’ gift was the greatest decision I could have made.

Here’s a little teaser of my unforeseen adventure in NYC, starring singer Valerie June, photographer Louis Mendes, luxury house Tiffany & Co., and multi-hyphenate Spike Lee.

Even I can’t believe this was only the beginning of February and there’s still so much more to come.

I’ve said it before, and I’ll say it again:

I. FEEL. INFINITE. ✨

See ya back here real soon living Black art out loud. 😘