In 1939, Ellen E. Armstrong pulled off one of the slickest tricks the performing world had ever seen.
Born in 1914, the 25-year-old daughter of J. Hartford and Lillie Belle Armstrong took over her father’s business – a feat in itself for any woman of the time – and transformed herself into the world’s first headlining African-American female magician.
As the only heir to the couple dubbed “the most royal colored entertainers of the century,” Ellen took up her birthright early on, joining her parents in performing at the age of 6. Their tagline “Going Fine Since 1889” During set changes, Ellen would wander through the audience, touch her little index finger to a person’s forehead, and divine what they were thinking about the person sitting next to them. Whether it actually worked, or simply served as adorable comic relief, Ellen’s confidence was boosted, and her act grew to include sleight of hand and card tricks too. Never one to shy away from showmanship, she even created her own signature act, “Chalk Talk,” where she told stories through squiggles and doodles. Each time she’d add a new chalk mark, the doodle would transform into a new character or scene in her story.
Taking audiences on a journey was Ellen’s talent, regardless of the medium, and “The Celebrated Armstrongs” enjoyed incredible success and critical acclaim as “America’s Greatest Colored Magicians” touring the East Coast, Cuba, and even Europe. But all of that came to a screeching halt in 1939 when J. Hartford Armstrong, “King of the Colored Conjurers,” died suddenly.
Ellen was only 25, and fresh out of college. She could have chosen many paths. Instead, she would rightfully inherit the throne of the King of the Colored Conjurers and his substantial $8,500 in props, taking up her mantle as the unrivaled “Mistress of Modern Magic.”
And she was absolutely terrified.
American culture has long held taboos against women practicing magic, and even the Salem Witch Trials held a Black women in particular contempt. Even if Ellen’s magic was simply for entertainment’s sake, it was still risky to practice alone, travel alone, and own property alone in the early 20th Century.
But for the next 3 decades, Ellen’s risktaking paid off.
She married in 1940, but Ellen’s headlining act was her only baby and her sole bread and butter. Many of the tricks she performed like the Miser’s Dream, the Mutilated Parasol and the Sand Frame, where a photograph of famous African-American boxer Joe Louis appeared from thin air, are still classics today.
When her “Modern, Marvelous, Matchless Merrymaking March Through Mysteryland” finally came to a close, Ellen retired in Spartanburg, South Carolina, and in 1979, died unceremoniously. Aside from the tricks she practiced, and a handful of her tour posters, little of Ellen or her groundbreaking performance remains. And though that means there’s often very little for me to tell, I am so grateful to feature women like Ellen (and men like Black Herman) here at The American Blackstory, ensuring that if I have anything to do with it, they’ll never disappear.
KEEP GOING BLACK IN HISTORY:
Browse the Armstrong Family Papers including photographs, news articles, and letters documenting their lives at the University of South Carolina Libraries.
Listen to podcast “Stuff Mom Never Told You” and their episode on Ellen’s Magical Marvels.
“Quiet Masters: The History and Relevance of the Black Magical Artist” is a documentary featuring many more untold magical stories, and available for rent at Amazon.
Uncover the stories of more Black magic in Conjure Times: Black Magicians in America.
THE AMERICAN BLACKSTORY 